Although we will occasionally diverge, our intent is to present new scripts that have not been produced previously. Topdog/Underdog had a well known beginning at the Public Theater in 2002. Not only did it win a Pulitzer Prize for its playwright, Suzan-Lori Parks, but the production was well received with its first cast of Jeffrey Wright and Don Cheadle and the later recast of Mos Def in Cheadle’s role. READ MORE
Valley Performing Arts Center Has Arrived
by Julio Martinez | January 31, 2011
Through much of 2010, ongoing announcements heralded the imminent debut of the Valley Performing Arts Center (VPAC), billed as a “world-class, state-of-the-art performance facility,” constructed on the campus of California State University, Northridge (CSUN). READ MORE
A Tasty Gingerbread at MainStreet
by Julia Silverman | January 29, 2011
Four years ago I heard about this great theater in — Rancho Cucamonga. “Where?” and “Really!?” I thought those were reasonable responses, but my friends were glowing with praise and my curiosity was piqued. More friends returned from the desert with tales of a fantastic theater and great work. I determined I, too, would one day work there. READ MORE
Liking ‘Adding Machine’, Not Loving ‘Repeating’
by Don Shirley | January 28, 2011
Of two new musicals with similar roots, Adding Machine adds up to more than Loving Repeating. In the group therapy genre, Circle Mirror Transformation requires less suspension of disbelief than does Group: A Musical. READ MORE…
The Dangerous Beauty Diaries
Part I: From Academia to Hollywood
by Deborah Behrens | January 28, 2011
LA STAGE Times was given permission to witness the process Dangerous Beauty underwent in the final months leading up to its world premiere opening at the Pasadena Playhouse on February 13, 2011. This is the first in a three-part series of articles prepared via interviews with producers, the creative team and cast, as well as onsite reporting that began with the first group sales presentation in October 2010. READ MORE
Anne McNaughton and the Search for Intimacy
by Cynthia Citron | January 28, 2011
Anne McNaughton, associate artistic director and co-founder of Andak Stage Company, is speaking proudly of her husband, actor/teacher/Shakespearean scholar Dakin Matthews, and the new play, The Capulets and the Montagues, that she is directing. READ MORE
Lee Meriwether’s Women of Spoon River
by Greta McAnany | January 28, 2011
Actress, model and former Miss America Lee Meriwether is accustomed to playing many roles. So it’s no surprise that she has decided to become the voice of many different women in a world premiere of her own devising, Women of Spoon River at Theatre West. READ MORE
LA STAGE Insider: January 27, 2011
Newsworthy notes, February premieres, Group ethics, and a little of This and That in this week’s LA STAGE Insider. READ MORE
Gwen Van Dam Takes a Trip
by Cynthia Citron | January 27, 2011
The term “shy actress” would seem to be an oxymoron—at least for those movie queens who came to stardom during Hollywood’s “Golden Age.” Think Joan Crawford or Bette Davis or Katharine Hepburn. No shrinking violets, they. But Gwen Van Dam, who began her acting career while those other “Grande Dames” were still throwing their weight around the studios, was not cut from the same egocentric template. READ MORE
Maripat Donovan: Second to Nun
by Darlene Donloe | January 27, 2011
In her Late Nite show Donovan takes her audience, or rather her class full of “students,” back to their youth. As “Sister” teaches the class, she rewards them with things like glow-in-the-dark rosaries and other witty prizes. Students not forthcoming could find themselves on stage sitting in a corner reflecting on their actions or receiving a whack from a ruler. READ MORE
[Inside] the Ford Winter Partnership Program
by LA Stage Alliance | January 26, 2011
The [Inside] the Ford Winter Partnership Program, running from October through April, supports Los Angeles County resident theater companies by assisting them to successfully present performances in its 87-seat indoor theater. READ MORE
Multiculture Muddle
by Diana Burbano | January 26, 2011
I LONG ago gave up on the idea that my truest self would be seen by the camera, and I would be cast as a sci-fi geek, or a lady of the manor, or even an upper class Latina. But I always held out hope that the Theatre would see past that “Look,” that “Type.” READ MORE







