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The Word’s the Thing, According to Murray Mednick

The Straight-Ahead Route to Sideways The Play

LA STAGE INSIDER

Getting Close With The Closeness of the Horizon

Tim Dang Makes Much Out of A Little Night Music

In This Week’s California International Theatre Festival, Good Things Are Coming in a Smaller Package

LA STAGE TALKS: Why Are Theater-Makers the Masters of Collaboration?

It is Done Got Done by Raising the Bar

Why are Theatre-Makers the Masters of Collaboration?

The Roads They Didn’t Take in Follies and Cyrano

Connie Chats on Opening Night: Follies

Let’s Talk About Talkbacks

Page 2

A Chorus Line in 3-D

LA STAGE Insider

Playwright Michael Elyanow Shepherds The Children

Follies Femmes Maxwell and Houdyshell

East LA Hears From Evangeline Once More

Evelina Fernández and Her Contributions to Charity

Springtime in LA, at Café Vida and on April 29, 1992

Dressing (Actors) for Success

Re-Writing Copy, Duffy Discovered His Younger Self

LA STAGE Insider

Theater Takes to the High Seas Part II: Be Flexible

Loomer Looks at Homegirls for Cornerstone’s Cafe Vida

Page 3

The Last Day is Finally Aloft

LA STAGE Talks: Criticism in LA

Pedestrian Walks From Fringe to a Five-Week Run

Arts Criticism: How Does it Serve Los Angeles?

Bedfellows Leads a Pack of Plays About Politics

The Happy Campers Behind the Unhappy Camp Logan

An Election-Year Fix With Mistretta at ICT

LA STAGE Insider

Taking a Chance on Reborning Dolls

Cyrano in 2012 LA — His Nose Isn’t His Problem

Richard Chamberlain’s Latest Doctor and His Heiress

LA Theater Takes to the High Seas

Page 4

A Display of New Plays at SCR’s Pacific Festival

Pianist Golabek Tells Her Mother’s Story at the Geffen

Young Women Come of Age in Three Musicals. A Vietnamese American Plays Kim in Miss Saigon

This Bridge Club Doesn’t Play Cards

Busy Bets Malone is Thrice Upon a Mattress

How Premsrirat Developed Girl Most Likely To

LA STAGE INSIDER

A Child — and a Teacher — Left Behind

The ‘Zamerican’ Danai Gurira Examines The Convert

Wendy Johnson’s Not Concealing Judy Holliday
or Herself

Rose’s Bedfellows Rises, Stehlin Staging

Class Acts — But Where’s LA in This Mix?